![]() Ironically, Lee de Forest's sound on film process, which Fleischer used, had been patent-infringed by Pat Powers, who supplied Disney with the Cinephone sound system. The series, which lasted from 1924 to 1927, is argued by many to be the bearer of the first sound animation note though synchronized sound wasn't incorporated until 1926, although that distinction could arguably be credited to the Princeton Sound Test of 1925 and some of Edison's obscure animation experiments with cut-out animation, which had sound incorporated into them.ĭespite the company's collapse, Max Fleischer's work was an important success, as it pioneered the use of the bouncing ball. This came shortly after Fleischer had been experimenting with animated lip-sync through his groundbreaking animation series Song Car-Tunes, namely with the company's final effort By The Light of the Silvery Moon. Inkwell series creator Max Fleischer was a principal investor in Red Seal Pictures, which was a distribution company producing a variety of films, not limited to animation, before its demise in 1927. Felix the Cat and Out of the Inkwell were the only series of prominence during this period, and even these were starting to lose steam by the end of the 1920s. Prior to 1928, animation was a dying novelty – less than 23% of theaters carried animated short subjects, and demand wasn't increasing. Feature length animation also began during this period, most notably with Walt Disney's first films: Snow White and the Seven Dwarfs, Pinocchio, Fantasia, Dumbo, and Bambi. ![]() Magoo, Tom and Jerry,ĭroopy, Rocky and Bullwinkle and a popular adaptation of Superman, among many others that haven't survived along the way. Many memorable characters emerged from this period, including Mickey Mouse, Bugs Bunny, Donald Duck, Daffy Duck, Goofy, Porky Pig, Pluto, Sylvester and Tweety, Minnie Mouse, Daisy Duck, Popeye, Betty Boop, Woody Woodpecker, Mighty Mouse, Mr. It gradually faded out from the early 50s to late 60s note Either in 1950, with the premiere of Gerald McBoing Boing, which popularized the stylized Limited Animation aesthetic that would become increasingly ubiquitous in the Dark Age in 1954, with the premiere of Walt Disney's Disneyland (accelerating his growing disinterest in animation) in 1957, when MGM closed its cartoon division and TV animation juggernaut Hanna-Barbera opened in 1959, when Disney released Sleeping Beauty and United Productions of America turned to television in 1963-64, when the original WB cartoon studio closed and DePatie-Freleng began operations in 1966, with Walt Disney's death or even as late as 1969-73, when the Warner Bros.-Seven Arts animation department, Terrytoons and Walter Lantz Productions shut down and Walt Disney Productions' 50th Anniversary when theatrical animated shorts lost ground to the new (and far lower budget) medium of television animation. It is worth seeing because although it not a hilarious cartoon it is creative with the animation and all has a very nice flow to it – and the addition of Cab Calloway singing just adds to the appeal.The Golden Age of Animation is a period in the History of Animation that is generally agreed to have begun on November 18th, 1928, with the release of Steamboat Willie, and cemented with Fleischer's, Warner's and MGM's rise to prominence in the years following. The animation does have this great vision to it – as another IMDb writer here has said, if this was done in the 1960's we would have said the guy was stoned but that it was a real trip it does say a lot that this cartoon from the 1930's fitted in so easily with the style in the 60's and 70's. ![]() This continues with the bizarre way to deal with the evil stepmother and I liked the image of her transformed and then flipped inside out by one of the characters. The first half is pretty good and I liked it for its old style animation and sense of character but the second half is much better when the song starts and we focus on this ghost character changing shape etc in time to the words and music. As a version of the story is not where you want to go for the story, but as a cartoon it is very enjoyable because it is creative and fluid in what it does. The plot is essentially an evil stepmother seeks to kill Snow White when her magic mirror turns its affections to the younger woman but from here we have some variety in the telling as the dwarfs are hardly in it and instead we spend a lot of time with a ghost singing a Cab Calloway song in some sort of hellish underground mine. ![]() That is the style that is here in this 1933 version of Snow White. When the Simpsons or other modern animations try to create the "old style" cartoons from the 20's or 30's they tend to do it by having black and white figures constantly bopping around in motion even when standing on the spot not doing anything.
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